feature film I worked for 12 weeks as a Sound Trainee on Jack of Spades, an American–British production directed by Joel Coen and shot by cinematographer Bruno Delbonnel. My responsibilities included maintaining and organizing sound equipment, assisting with gear placement on set, and managing batteries and sound accessories to support the sound department’s daily workflow.
FILM
CREDITS
BOOM OPERATOR // SOUND ASSISTANT
RAGE OF STARS. DIR. Łukasz Róg. DOP. AD. Wojciech Pawłowski
duration: 40 days on set.
feature film“Story about a woman from the International Special Forces Unit, who has a premonition about the impending end of humanity. RAGE OF STARS is a feature film development of a multi-awarded short film NO STARS ANYMORE.”Text copied from film’s IMDB.
SOUND DESIGNER. MY NEIGHBOUR TOTORO, sound redesign. DIR. HAYAO MIYAZAKI
For my excerpt from My Neighbor Totoro (1988), I reimagined the scene’s sonic environment entirely from scratch, avoiding reference to the original score. Built in Ableton using layers of ambiences, extracted dialogue, natural and synthetic effects, the piece featured rhythmic synthesized motifs inspired by Mort Garson's Plantasia and the stylized timing of Delicatessen (1991). I used Mickey Mousing techniques to align sound tightly with character movement and created effects like buzzing flies and plant growth using synthesis alone. Original Foley—including vegetable crunches and breath-blown wind—added tactile depth. The goal was to create a whimsical, otherworldly atmosphere while respecting the scene’s gentle emotional tone.
I was responsible for sound, while my friend Lewis Davidson handled the music.
SOUND RECORDIST // POST PRODUCTION
TANGERINES. DIR. BOGUSLAW KORNAS AND MATEUSZ ZELAZO
duration: dailies
AMA Film Academy
short film
I participated in a student short drama film, serving as both location sound and post-production. My responsibilities included recording all dialogues, creating sound effects, and recording music audible in the film.SOUND RECORDIST
NEEDLE. JOZEF PISULEWSKI. DOP KONRAD WRÓBLEWSKI
duration: 7 days on set.
short documentary
Documentary showing life of Cracow-based tattoo artists living extravagant lives. I provided sound recording for one day and handled sound post-production for the film's previs. I also assisted with sound recording on another shooting day and did sound post-production for the early parts of the movie.
RUNNER. AGRO RUTAS. DIR. PHUYU WAYRA
@proyecto.kawsaypaq
short documentary
Runner for a short amateur documentary. Help with recording the brief film on cocoa, coffee, and orange cultivation in the Yungas region of Peru.
(photo by @phuyu_wayra)
OTHER CREDITS
SOUND RECORDIST. A COUNTRY GENTELMAN, MY ARSE. DIR. Owen A. Smith. DOP. AD. Owen A. Smith
duration: dailiesshort film
“A gangster recounts his story, a halcyon of former glory, warts and all.”
SOUND RECORDIST. THE ARCHITECT OF DREAMS. DIR. Max Chan. DOP. AD. Garry Torrance
duration: dailiesshort film, 48h Glasgow
“A writer must decide whether to cut the eccentric character who embodies his childhood dreams, risking his career - or hold on to the part of himself that shaped his story.”
SOUND RECORDIST // SOUND POST PRODUCTION
JUDASZ - JÓZEF PISULEWSKI / BARTŁOMIEJ GRAJEWSKI / AMA FILM ACADEMY
duration: 3 days on setshort film
SOUND RECORDIST // SOUND POST
SCENT OF ORANGE. DIR. ALEKSANDRA JURCZAK AND KATRINA BINDER
duration: dailiesshort documentary
This project was a master shot I worked on as part of my studies at the AMA Academy in Krakow. The subject was a psychiatric hospital that resembles a sect, and my responsibilities included recording sound on set with a boom microphone, mixing, and composing music for the master shot. I also used Foley effects recorded within the post production. I intended to create as unsettling atmosphere as possible.